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01 |
Mojo Pin |
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Got It Free, Databased It Free! JV! |
05:42 |
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02 |
Grace |
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Got It Free, Databased It Free! JV! |
05:22 |
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03 |
Last Goodbye |
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Got It Free, Databased It Free! JV! |
04:35 |
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04 |
Lilac Wine |
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Got It Free, Databased It Free! JV! |
04:32 |
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05 |
So Real |
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Got It Free, Databased It Free! JV! |
04:43 |
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06 |
Hallelujah |
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Got It Free, Databased It Free! JV! |
06:53 |
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07 |
Lover, You Should Have Come Over |
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Got It Free, Databased It Free! JV! |
06:44 |
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08 |
Corpus Christi Carol (For Roy) |
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Got It Free, Databased It Free! JV! |
02:57 |
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09 |
Eternal Life |
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Got It Free, Databased It Free! JV! |
04:52 |
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10 |
Dream Brother |
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Got It Free, Databased It Free! JV! |
05:26 |
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| Packaging |
Jewel Case |
| Spars |
DDD |
| Sound |
Stereo |
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Performers
Karl Berger : Strings
Jeff Buckley : Dulcimer, Guitar, Harmonica, Harmonium, Organ, Tabla, Voices
Mick Grondahl : Bass
Loris Holland : Organ
Matt Johnson : Drums, Percussion, Vibraphone, Vibraphone
Gary Lucas : Guitar
Misha Masud : Tabla
Michael Tighe : Guitar
Production Credits
Christopher Austopchuk : Art Direction, Design
Karl Berger : String Arrangements
Steven Berkowitz : Executive Producer
Jeff Buckley : Main Performer, Producer
Jennifer Cohen : Design Assistant
Merri Cyr : Photography
David Gahr : Photography
Chris Laidlaw : Assistant Engineer
Nicky Lindeman : Art Direction, Design
Clif Norrell : Engineer
Steve Sisco : Assistant Engineer
Andy Wallace : Engineer, Mixing, Producer
Howie Weinberg : Mastering
Review by New Music: Jeff Buckley's voice is the most moving goddamn instrument to come along in rock since Sinead O'Connor's impassioned cry. On Grace, Buckley soars into falsetto trills and cathartic moans recalling the jazz-rock of his father (the late Tim Buckley), with a little of Robert Plant's Zeppelin bravura thrown in. In its ten songs, Grace paints Buckley as an artistic, provocative young performer, able to draw upon classic rock's poetic spirit while avoiding a dated ""freedom rock"" vibe. As a songwriter, Buckley roams comfortably between soulful hippie-folk and a crushing hard rock sound, suggesting he's got as many records by Faith No More as he does by his dad. Strong and eclectic as his songs are, it's the album's cover versions that directly reveal Buckley's boldness of talent. Case in point: It takes more than a little gumption to do a solo guitar/vocal version of Leonard Cohen's ""Hallelujah,"" and do it in jaw-dropping, Cohen-topping fashion. From that track, to the roaring acid blues of ""Mojo Pin,"" to an angelic rendition of Benjamin Britten's ""Corpus Christie Carol,"" Buckley delivers all the songs with spirit. His passionate, bohemian mindset enables him to conjure comparisons from Bono Vox to Frank Zappa and let all his influences fly in this stunning collection of songs.
